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[jazz, post-rock] (2018) Harriet Tubman - The Terror End of Beauty [FLAC,Tracks] {100.XY}

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Description

(2018) Harriet Tubman - The Terror End of Beauty


Review:
Powerhouse trio Harriet Tubman (named after the African-American slave
turned abolitionist and political activist) – Brandon Ross on guitar, Melvin Gibbs on bass, and JT Lewis on drums
– continues to trail an audacious path in modern music without confining themselves to a particular genre.
Notwithstanding, jazz, blues and rock, in its written and improvised forms, can be considered their strongest
motivations, especially if we take a closer look to their newest album The Terror End of Beauty, a great addition to the
Sunnyside Records’ catalog. Gibbs penned the opening track, “Farther Unknown”, and shaped it as a
danceable psychedelia, plotted with a steady, highly charged tribal African pulse and Hendrixian distorted guitar
sounds. Call it acid Afro-rock if you like.
The bassist shows his compositional versatility by setting a completely
different mood on the title track, a tribute to guitarist Sonny Sharrock and one of the hippest tracks on the record.
There’s a balladic jazz vision here, but also the dirty texture associated with the alternative rock music genre,
which is indisputably alluring. It evolves into something ampler, with Lewis’ kinetic drumming underpinning a
massive noise-rock experience.
The remaining compositions are credited to the trio and their producer, Scotty Hard,
except “Redemption Song”, a noir, free-form reading of Bob Marley’s song of freedom, here turned into
a harmonically clear rock anthem. Although we can’t pronounce the latter tune as reggae, even coming from Marley,
we can identify the genre disguised on the playful “Five Points”, which overlaps tempos and also melds funk
and electronic music in an experimental crossing between Front Line Assembly and Parliament-Funkadelic.
“3000
Worlds” also sprawls some funk through the work of Gibbs and Lewis, who stick to a rounded funky ostinato and a
hi-hat-centered rhythm, respectively. In contrast, Ross dives in dark expressive melodies.
“The Green Book
Blues” is another danceable, hardcore, yet relentlessly groovy piece in the line of The Prodigy but with
occasional percussive thumps instead of a highly syncopated rhythm. Regardless of the change in the groove, the arcane
mood is maintained. Unlike this piece, “Unseen Advance of the Aquafarian” doesn’t have the word blues
in the title but is heavily rooted in the genre. It also displays a strong electronic-like vibe.
Not conflicting
with the rest, but definitely closer to a prog-metal à-la Nine Inch Nails, “Protoaxite” sort of
suffocates in a raucous, rock-powered atmosphere.
By intelligently interspersing moments of opaque obscurity and
sheer beauty, Harriet Tubman achieves a perfect balance in its incisive and concise writing. The record, not too dense
but not too immediate, never refrains in emotion and rewards in abundance after multiple listenings.





Tracklist:
01 - Farther Unknown.flac
02 -
3000 Worlds.flac
03 - The Green Book Blues.flac
04 - Unseen Advance of the Aquifarian.flac
05 -
Prototaxite.flac
06 - Drumtion.flac
07 - Redemption Song.flac
08 - Five Points.flac
09 - The Terror
End of Beauty.flac
10 - Tuljapur Handprint.flac

Summary:
Country: USA
Genre: jazz, post-rock


Media Report:
Source                           : CD
Format                           : FLAC
Format/Info                   
  : Free Lossless Audio Codec, 16-bit PCM
Bit rate mode                    : Variable
Bit rate                
        : ~ 833-1000 Kbps
Channel(s)                       : 2 channels
Sampling rate                    :
44.1 KHz
Bit depth                        : 16 bits

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